POLL: The Top 20 Albums of the 2010s — VOTE NOW!

Posted in Features on November 4th, 2019 by JJ Koczan

top 20 of 2010s poll header

A year-end poll is nothing new around here. A decade-end poll, however, feels more like a special occasion. Here we are, on the cusp of entering the 2020s, and it’s time to take a look back at the decade that was. The landmarks. The albums that helped paint toward a brighter (or darker) future of heavy. The innovators, the purists, everything.

The same rules as the year-end polls apply. Here they are in the same cut-and-paste I’ve been using for years because I still don’t really understand it but it’s all set up by Slevin so I just roll with it: You submit your list of up to 20 favorites on the form below. Anything from 2010 to whatever’s coming out this and next month is eligible. At the end, there are two lists, one of the raw votes, and one in which a 1-4 ranking is worth five points, 5-8 worth four, 9-12 worth three, 13-16 worth two and 17-20 worth one.

And while we’re here, eternal gratitude to Slevin for setting up and running this poll.

We’ll do it for two months, from now until Jan. 1, and I’ll post the results on New Year’s Day. I don’t think I’ll do a separate year-end poll for 2019 unless the demand for it is significant, but of course anything released this year is eligible for that as well.

Maximum participation is sincerely appreciated. Here’s the form:

Everyone’s individual poll lists will be posted as well with the results.

Since 10 years is a long time, I thought I’d link to the past lists. You’re stuck with my list for 2010, since there wasn’t a poll that year. All the others are the poll results from 2011-2018, and I’ve never found a better resource than that for assessing what came out in a given 12 months.

The Obelisk Top 20 of 2010

Top 20 of 2011 Year-End Poll

Top 20 of 2012 Year-End Poll

Top 20 of 2013 Year-End Poll

Top 20 of 2014 Year-End Poll

Top 20 of 2015 Year-End Poll

Top 20 of 2016 Year-End Poll

Top 20 of 2017 Year-End Poll

Top 20 of 2018 Year-End Poll

Thank you in advance for taking part, sharing the link, etc. I can’t tell you how much I’ve been looking forward to seeing how it all comes out. Please note your email is neither stored nor used. Only asking for it to prove you’re not a bot. Much appreciated.

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Across Tundras Release Complete Altered States Companion Remixes for Latest Album

Posted in Whathaveyou on November 11th, 2019 by JJ Koczan

I’ve been kind of expecting something like this, but it’s still kind of an overwhelming project. Since the release in June of Across Tundras‘ latest full-length, The Rugged Ranges of Curbs and Broken Minds (review here), founding guitarist/vocalist T.G. Olson has been going through and revisiting the album with track-by-track remixes, resulting in a series of digital EPs that have been trickled out one at a time over the past few months. He’s gone in order, one to the next through the entire album. They range from the “Hot Radio Mix” collection — which probably could’ve been released as the album proper — to more experimental styles like the “Ennio’s Mix” tracks, but the root of each is still the original itself. It’s in there somewhere. The only question is how hard one has to dig to find it.

Olson — self-releasing, as ever, through Bandcamp as a name-your-price download — has it organized in the same order as the tracklisting of the album, but as I’ve been going through, I’ve been listening to one version of the whole record at a time. I admit I’m not through the entire 28-track Complete Altered States at this point — only so many hours the day — but it’s a fascinating project however one might want to take it on. As Olson has done homemade CD box sets in the past, the chance to do a Complete Rugged Ranges collection seems to be self-evident.

Whether or not that comes to fruition, here’s the info off Bandcamp and the streams of both the remixes and the original for those feeling adventurous:

across tundras the rugged ranges complete altered states

Across Tundras – The Rugged Ranges of Curbs & Broken Minds ~ Complete Altered States

Altered States of The Rugged Ranges of Curbs & Broken Minds

released November 7, 2019

1. The Rugged Ranges of Curbs & Broken Minds (Ennio’s Mix) 03:35
2. The Rugged Ranges of Curbs & Broken Minds (Hot Radio Mix) 06:05
3. The Rugged Ranges of Curbs & Broken Minds (Stereo Cinemascope Instrumental Mix) 06:57
4. The Rugged Ranges of Curbs & Broken Minds (Campfire Mix) 05:52
5. Slow Down and Breathe (Ennio’s Mix) 02:29
6. Slow Down and Breathe (Hot Radio Mix) 04:18
7. Slow Down and Breathe (Stereo Cinemascope Instrumental Mix) 04:18
8. Slow Down and Breathe (Choral Mix) 06:22
9. Talkin’ Rust Cohle Existential Blues (Ennio’s Mix) 01:43
10. Talkin’ Rust Cohle Existential Blues (Hot Radio Mix) 04:22
11. Talkin’ Rust Cohle Existential Blues (Stereo Cinemascope Instrumental Mix) 05:41
12. Talkin’ Rust Cohle Existential Blues (Campfire Mix) 05:44
13. Boots of Snake Leather (Church Organ Mix) 04:44
14. Boots of Snake Leather (Hot Radio Mix) 04:14
15. Boots of Snake Leather (Stereo Cinemascope Instrumental Mix) 05:00
16. Boots of Snake Leather (Big Bass & Wide Slide Mix) 05:09
17. Whirlwind Reapin’ (Drone Out Mix) 03:00
18. Whirlwind Reapin’ (Hot Radio Mix) 05:17
19. Whirlwind Reapin’ (Stereo Cinemascope Instrumental Mix) 06:50
20. Whirlwind Reapin’ (Bass & Drumz Mix) 06:49
21. When We Were All One (Ennio’s Mix) 02:16
22. When We Were All One (Hot Radio Mix) 03:41
23. When We Were All One (Stereo Cinemascope Instrumental Mix 04:00
24. When We Were All One (Sky Jam Mix) 04:00
25. New War on the Range (Ennio’s Mix) 04:48
26. New War on the Range (Hot Radio Mix) 05:55
27. New War on the Range (Stereo Cinemascope Instrumental Mix) 07:39
28. New War on the Range (Thunder Jam Mix) 04:48

Tanner Olson ~ Ben Schriever ~ Caleb R.K. Williams ~ Abigail Lily O’hara ~ Noel Dorado

https://acrosstundras.bandcamp.com/

Across Tundras, The Rugged Ranges of Curbs and Broken Minds – Complete Altered States (2019)

Across Tundras, The Rugged Ranges of Curbs and Broken Minds (2019)

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Midas Stream Still Hungry EP; Touring This Week in Northeast

Posted in audiObelisk on November 11th, 2019 by JJ Koczan

midas

As they stand on the precipice of their second tape EP release of 2019, and having just played their first gig in March of this year, Detroit classic metal four-piece Midas extend that waste-no-time ethic to their songwriting. Their first offering was March’s Solid Gold Heavy Metal (review here) that found the four-piece with members of Wild Savages and Bison Machine coming together around a shared appreciation for Priest, Maiden and all things NWOBHM and proto-heavy rock raucousness. The follow-up 16-minute four-tracker, Still Hungry, follows a similar course — it’s only been a few months, after all — but seems to be even tighter in its presentation and even more than its predecessor both the triumph and the celebration thereof, the double-guitar four-piece bringing the party and the reason to celebrate in the first place. It’s a fun combination in a way that doesn’t actually take itself as seriously yet as Iron Maiden always seemed to. One hopes they never get to that point, frankly.

The guitars of Casey O’Ryan (lead) and Joe Kupiec (rhythm, also vocals) lead the charge as one would expect, and the sense of gallop on second track “Usurper” tells you nearly everything you need to know about where they’re coming from. Following the winding grandeur of opener “Sands of Time,” the charge midas still hungry tapeof “Usurper” is both the longest cut on the tape at 4:59 and a standout in terms of its pace. Choral vocals echo in the second half over drum thud from Breck Crandell as they make their way back toward the chorus, and whether it’s Anthony Franchina holding together the low-end beneath the head-spinning fretwork from his six-string compatriots or the turn to a more angular, heavy rocking jabs on “Street Knights,” Midas continue to wear their love of heavy metal glories on their sleeve. They call to mind the electrifying early days of Chicago’s Bible of the Devil in terms of their style and energy, and thereby seem to be picking up the torch of a Midwestern metallicism that, well, is the kind of thing that might produce a festival like Alehorn of Power or Legions of Metal, the latter of which Midas will play in Spring 2020.

They close Still Hungry with “White Wolf” and actually dare to hit the brakes momentarily in the process, but soon it’s back to choice dueling leads complemented by some particularly tasty basslines, and they cap with a driving forward riff and a few pow-pow-pow hits before dropping off cold at the finish. Boom, cue applause. You know, for a band in their first year to have such a sense of what they want to do, it basically tells you that they got together with an idea in mind. Midas isn’t a group that just happened to start playing in a room together and produced this grade of dual-axe antics. But even with a firm aesthetic goal, it’s hard to predict where they might go and what they might bring to their sound over the course of a whole album. Interludes, solos, arrangements, and so on. They’ve demonstrated twice now that they know what they’re doing in terms of songcraft, but that’s not the same as fleshing out their personality across a debut full-length. Before they get there, they’re reportedly in talks to bring Still Hungry and Solid Gold Heavy Metal to a compiled CD and LP for next Spring — presumably sometime around Legions of Metal, but who knows — and then I’d guess it’ll be sometime after that they settle down to work on their first proper long-player.

Whenever that shows up, it’ll be one to look forward to, as Still Hungry proves they are most certainly famished, what on earth might it take to sate a sound such as this?

Full Still Hungry EP stream is below, followed by tour dates. Thanks for reading:

And enjoy:

midas still hungry tourMIDAS has followed up ‘Solid Gold Heavy Metal’ with the heavier and more sinister ‘Still Hungry’. Still straddling that line that split the 70s and 80s, they bring bigger and more complex sounds to the feast with their latest release. Tape pre-order will be live on Nov. 11th. Tape release date is Nov. 20 through Hardcore Psychedelia in Detroit. Catch them on tour on the East Coast this November, and at Legions of Metal this spring in Chicago alongside speed metal legends, Exciter.

Still Hungry Tour
Nov. 15th – New York – Sunnyvale*
Nov. 16th – Philadelphia – The Tusk*
Nov. 17th – Baltimore – The Depot*
Nov. 19th – Providence – Dusk
Nov. 27th – Ann Arbor MI – Lo Fi
Nov. 29th – Dayton OH – Blind Bob’s

MIDAS is:
Casey O’Ryan – Lead Guitar
Joe Kupiec – Vox, Rhythm Guitar
Anthony Franchina – Bass
Breck Crandell – Drums

Midas on Bandcamp

Midas on Thee Facebooks

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Disastroid Sign to Heavy Psych Sounds; Mortal Fools out Feb. 14

Posted in Whathaveyou on November 11th, 2019 by JJ Koczan

disastroid

Yup, called it. Pardon the moment of self-congratulations, but when Heavy Psych Sounds announced its latest sampler last week, I couldn’t help but notice the tracklisting contained a seemingly new cut from San Fran three-piece Disastroid. That led to speculation they’d signed to the venerable Italian imprint, and indeed, that has turned out to be the case. They’ll release a new album, titled Mortal Fools, on Valentine’s Day. So yes, called it. Look at me, paying attention. What’s the prize again?

To mark the occasion of preorders going live, they’re streaming a new song that you can find at the bottom of the post here, following word from the PR wire making the whole thing official. These guys might seem like an odd fit for the label, being more punkish than a lot of the desert rock or SoCal boogie HPS has picked up of late, but they had a split with Fatso Jetson a few years back and there are some behind the scenes links to the desert scene that might’ve come into play as well.

Cool news either way. From the PR wire:

disastroid mortal fools

Heavy Psych Sounds Records & Booking is really proud to start the presale of the album DISASTROID – Mortal Fools

HPS 119

Today we are extremly proud to welcome the Bay Area’s noise metal trio DISASTROID in our roster.

The presale of their brand new album MORTAL FOOLS starts today: https://heavypsychsoundsrecords.bandcamp.com/album/disastroid-mortal-fools-presale

RELEASE DATE:
FEBRUARY 14th, 2020

San Francisco veterans Disastroid have been serving up sludgy, grunge-infused stoner rock for the better part of a decade now, refining a sound that weaves heavy riffs together with angular guitar lines, odd time signatures, and hazy walls of fuzz. As influenced by 90’s noise rock as they are by modern psych, doom, and post-metal, Disastroid delivers thick, satisfying stoner rock stomp while also embracing layers of noise, tripped-out feedback, and some unpredictable song structures.

Their original approach, captured on their 2014 record “Missiles” and the 2017 follow-up “Screen”, has made them one of the most essential bands in the Bay Area music scene. Their latest, “Mortal Fools” is their heaviest and most expansive-sounding album to date. Produced by Tim Green (Nation of Ulysses, The Fucking Champs), it’s sonically focused on what Disastroid does best, laying singer/guitarist Enver Koneya’s deep vocals and fuzzed-out riffs on top of a relentless, pummeling rhythm section. At the same time, it’s loose enough that it takes some unpredictable twists and turns, conveying the band’s rough edges, sense of humor, and noisy, experimental streak.

DISASTROID is:
Enver Koneya – Vox/Guitar
Travis Williams – Bass Guitar
Braden McGraw – Drums

https://www.facebook.com/disastroid/
https://disastroid.bandcamp.com/
http://www.disastroid.com/
heavypsychsoundsrecords.bandcamp.com
www.heavypsychsounds.com
https://www.facebook.com/HEAVYPSYCHSOUNDS/

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Desertfest London 2020 Second Lineup Announcement: Witchcraft Headlining; Conan, Naxatras, Sacri Monti & More Added

Posted in Whathaveyou on November 11th, 2019 by JJ Koczan

desertfest london 2020 header

Going head-to-head, toe-to-toe, back-to-back, belly-to-belly with Desertfest Berlin 2020’s second lineup announcement, that of Desertfest London 2020 brings a whopping 13 bands. Witchcraft join Corrosion of Conformity and Masters of Reality among the headliners, and Naxatras, Conan — playing Monnos in full, no less — Pissed Jeans, Raging Speedhorn, Sacri Monti, Huntsmen, MonarchSpirit AdriftFire Down BelowGrottoDesert Storm, and Morag Tong have signed on for the fray in what’s becoming a quickly-packed bill. Nothing to complain about there, I guess. As noted in the Berlin post, some of these groups are shared between the two fests, but there’s a lot here that’s set for London alone, and I suspect in terms of the UK acts like Raging SpeedhornDesert Storm and Morag Tong, it’s likely to stay that way. It’s been so fascinating to watch these festivals grow since their inception into incubators for UK/European heavy. Desertfest London has become an epicenter for one of the most packed scenes on the planet.

That’s a big deal. And you can hear in the work of bands coming out of the UK the effect it’s having aesthetically as well. It’s awesome. Keep up the good work.

From the social medias:

desertfest london 2020 poster

DESERTFEST LONDON ANNOUNCES WITCHCRAFT AS HEADLINER FOR 2020 EDITION PLUS 12 MORE ACTS ADDED!

Tickets: dice.fm/festival/desertfest20

Desertfest is honoured to be welcoming Swedish doom icons Witchcraft to London, for the first time in a decade, as 2020 headliners. Their exceptional blend of psychedelic-folk melodies and distinctly doom-laden riffs swiftly elevated Magnus’ musical coven to legendary status. The pace picks up with the bludgeoning sludge-punk sounds of Pissed Jeans, whose narrative continues to be as societally insightful as it is tongue-in-cheek. We welcome back the unholy trio Conan for a very special performance as they play ‘Monnos’ in full. Following last years unforeseen travel issues, we are thrilled to have Naxatras on the bill ready to bathe listeners in their psychedelic groove. British sludge pioneers Raging Speedhorn will provide a lesson in brutality for all who cross their path.

Celestial tones awaken as SACRI MONTI make their debut with a spectrum of far-out jams expertly pieced together for an otherworldly trip. Huntsmen will bring their diversely progressive concoction of doom metal and melancholic Americana storytelling for its first UK outing. Elsewhere we welcome experimental psych-rock champions Monarch -band, Arizona’s Spirit Adrift who effortlessly carry the torch for traditional doom with lashings of classic 80’s heavy metal. Belgium offers up an excellent fusion of fuzz from Fire Down Below, alongside space-psych drifters Grotto. Oxfordshire riff hounds Desert Storm will deliver a shock-wave of groovy stoner-metal and locals Morag Tong will showcase their dynamic take on psychedelic doom.

For more info and weekend tickets for Desertfest London 2020 hit up www.desertfest.co.uk

See you in May!

TICKETS: https://dice.fm/festival/desertfest20 (*YOU DO NOT NEED THE DICE APP TO PURCHASE)

Artwork by Piotr w. Osburne

https://www.facebook.com/events/464163361105416/
http://www.desertfest.co.uk/
https://www.facebook.com/DesertfestLondon
https://www.instagram.com/desertfest_london/

Sacri Monti, “Waiting Room for the Magic Hour”

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Desertfest Berlin 2020: Witchcraft, Amenra, 1000mods, The Vintage Caravan & More Added

Posted in Whathaveyou on November 11th, 2019 by JJ Koczan

desertfest berlin 2020 banner

Desertfest Berlin 2020’s second lineup announcement arrives in coordinated fashion with that of Desertfest London 2020, and even so, finds the two festivals beginning to distinguish themselves from each other. Of course, there are shared factors — Witchcraft will play both, as well as Spirit Adrift — but while there’s always a chance some bands from the one will still be added to the other, as of now, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, 1000modsAmenra and The Vintage Caravan are exclusive to the German edition of the festival series. I have zero insight or insider information to offer, so we’ll see if it stays that way, but for now, both Spring Desertfests seem to be growing on their own into something badass, sharing a bit but also having plenty to stand apart.

And Witchcraft headlining certainly doesn’t hurt either. I mean, really.

Here’s the Berlin announcement:

desertfest berlin 2020 poster

WITCHCRAFT, AMENRA, 1000MODS, THE VINTAGE CARAVAN, PIGS PIGS PIGS PIGS PIGS PIGS PIGS and SPIRIT ADRIFT confirmed for DESERTFEST BERLIN 2020!!!

Friends, here we goooooo!

They belong to the most distinctive bands of the Swedish psychedelic classic rock, their sound influenced the heavy rock scene for decades, but they also rarely appear live on stage: The more we are proud to welcome legendary Witchcraft in 2020! This show will already mark a true milestone and unforgettable highlight in the history of Desertfest.

Joining them on the bill are atmospheric post-metal overlords, Amenra, who will turn the ARENA BERLIN stage into a mesmerizing sound landscape. Putting all their heart and soul into every note, word and visuals, AMENRA change the course of people’s lives everywhere their path leads them. After London and their highly acclaimed show at the Electric Ballroom last year, we’re thrilled to become a part of this path in 2020. And because your wish is our command: They are one of the most beloved and requested bands on our socials – yes, your prayers have been heard!

Greek fuzz rock unit 1000mods, THE hottest band in within the current heavy rock scene, will be finally back at Desertfest Berlin. On this special show you’ll be listening to some amazing new tunes from their upcoming album (which is recorded as we “speak” in Seattle), for the very first time! With an average age of nearly 23 years old, Icelandic rockers The Vintage Caravan show a maturity worthy of any band that has been on the road for decades. When the band got on stage at the 2012 edition of the Icelandic Eistnaflug festival, the trio was only allowed to enter the venue accompanied by their parents. The charismatic band released 3 critically acclaimed records to date, their career has been impressive while they toured the globe with bands alike Europe, Blues Pills, Grand Magus or just currently with Opeth to name just a few. Desertfesters, bring your mums and dads, too, when THE VINTAGE CARAVAN will roll over our beloved Desertfest Berlin in 2020!

Furthermore we will see Newcastle’s maximalists, Pigs Pigs Pigs Pigs Pigs Pigs Pigs, whose riffs, raw power and rancour have blazed a trail across the darker quarters of the underground in the last five years, finally bring their mighty tsunami of rancorous riffage and unholy abjection over us in Berlin!

Last but not least, today’s’ second and killer announcement will be rounded up by Phoenix-based, Spirit Adrift, who are carving out a sound now patently its own. Lazily labelled Doom by some, the band is in fact the true representation of what modern Heavy Metal should sound like.? Folks, we hope you dig this second announcement as much as we do, while dozens of bands are still to be announced in the weeks ahead!

Treat yourself or your loved ones with an early X-Mas gift, and purchase your Weekend Ticket now at: www.desertfest.de

We can’t wait to party with ya’ll at our 9th edition, May 1st – 3rd at DesertFest Berlin 2020!

https://www.facebook.com/events/520164272080736/
www.desertfest.de
www.facebook.com/DesertfestBerlin
www.instagram.com/desertfest_berlin

Witchcraft, Live at Tons of Rock 2018, Norway

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Friday Full-Length: The Obsessed, Live at the Wax Museum

Posted in Bootleg Theater on November 8th, 2019 by JJ Koczan

First off, I like bootlegs. The act of putting yourself in the raw moment of seeing a band play via a sometimes rough recording from a microphone somewhere in the audience. You can hear people talking between the songs, and you can hear the band as they were from the stage — no cleanup, no mixing, nothing. Bootlegs are the truest of “warts and all” presentations for live music. I’ll take a soundboard recording, to be sure, and a good-sounding A+ boot is like a gift from the gods — thinking specifically of Black Sabbath‘s Asbury Park ’75 recording (discussed here), but of course there are many examples among live and studio unofficial releases — but there’s for sure an appeal to a harsher-audio bootleg. It’s a document of a moment that would otherwise be lost to time and memory.

They’re not for everyone, and that’s cool. If they’re not for you, you might want to move on, skip to the bottom part where I bitch about life or just go about your day or whatever. But if you count yourself among the number who can be entranced by such things, and you’re a fan of the band, then the pure aural force The Obsessed display on Live at the Wax Museum should be considered utterly essential. Recorded on July 3, 1983, it first showed up in 1992 as an unofficial release through Doom Records and it wasn’t until last year that The Church Within (fittingly enough) gave it its first official pressing, with a glow the dark cover and a CD encased in a DVD-style digipak, textured artwork and all. The Obsessed have had a few archival live offerings this decade, including Live at the Melkweg November 28th 1992 and Live Music Hall Köln December 29th 1992 in 2012 when the band first got back together, but Live at the Wax Museum has a different feel, its title giving it a sense of importance as a milestone for the band: that time they were in that place. Also distinguishing Live at the Wax Museum is the fact that it was recorded some nine years before those other shows, with guitarist Scott “Wino” Weinrich, bassist Mark Laue and drummer Dave Flood — who demolishes a drum solo in “Sister Sin” right around the middle of the set, igniting howls from the crowd — playing as intense as I’ve ever heard any incarnation of the band.

Across songs like “Concrete Cancer,” which is introduced during Wino‘s minimalist stage banter as an “old tune,” and “Touch of Everything” (a “dance tune”) and “Mental Kingdom” (a “brand new song”),

the obsessed live at the wax museum

along with 11 others for a total of 14 cuts plus an intro, The Obsessed absolutely tear into this show. There’s a minute-long intro from some preacher talking about how rock music is the devil and blah blah blah and then the three-piece rip into “Burning Gland” and there’s no going back. “Iron & Stone” and set-finale “Sodden Jackal” would show up in ’83 on the band’s first 7″ single following two should-probably-be-reissued demos — their 1984 Concrete Cancer demo was given a limited run by Relapse in 2017, so it’d be as simple as repackaging 1999’s Incarnate, I think — but what’s most striking about Live at the Wax Museum is the sheer intensity of it, and that’s something that comes through despite the rough audio. Because, let’s face it: it’s a bootleg. It ain’t a cleaned-up live record, or something that’s been remastered and remastered, the tape gone over with a fine-toothed comb to remove the static noise. It’s all there. You get to hear someone in the crowd after “Concrete Cancer” shout that “FM radio sucks!” — nothing changes — and someone else later call out for them to play some Sabbath after they nail “Mental Kingdom” — again, nothing changes — and if you’re in the right mindset listening, all of that feeds into the specific atmosphere of the release.

Maybe that’s an added academic or theoretical appeal, but Live at the Wax Museum has no shortage of highlight performance moments to go along with that, from the winding and chugging of “Failsafe” to the utterly indispensable “Neatz Brigade,” which is probably the catchiest hook Wino ever wrote — that’s a pretty vast pantheon of stuff between The ObsessedSpirit CaravanThe Hidden HandPremonition 13, and the sundry other units in which he’s been involved or led — but in terms of the way the verse builds tension for the chorus to open up and release, I can’t come up with a match for it. Especially not listening to it as it appears here. Certainly the catchiest The Obsessed tune, at the very least, and one that, 36 years later, you’re still pretty much guaranteed to see them play at every show. With good reason.

I wasn’t there in 1983 for this show. I was going on two, so let’s assume I wouldn’t have been able to make it even if I’d been aware of it, or, say, anything. But having Live at the Wax Museum as not just proof that it happened but kind of a glimpse at who The Obsessed were at the time and how much their miraculously-not-punk grit and working-class disaffection flew in the face of the burgeoning grandeur of the NWOBHM is not only helpful in explaining who they were at the time and how they earned the reputation they’ve long enjoyed, but also just a badass-sounding recording of a raw three-piece working to shape what we now know as Maryland doom. Hell yes that gets multiple spins from me.

The history of The Obsessed is tumultuous and ongoing, but their long absence ended in 2012 and in 2017, they produced the LP Sacred (review here), their first new album in some 23 years. They’ve been touring steadily for it since. They did Muddy Roots in Tennessee in August, Descendants of Crom III in Pittsburgh in September, last weekend were at Cafe 611 — home of Maryland Doom Fest — with Spiral Grave and others, and will travel to California next Spring for Psycho Smokeout. So yes, keeping busy. I don’t know if they’re planning another record or what, but they’ve got plenty of time to keep aligned with their every-two-decades pace, and I’m happy to see them play whenever the opportunity presents itself. Hearing Live at the Wax Museum only underscores why.

As always, I hope you enjoy. Thanks for reading.

New merch is out. Including sweatpants.

Get it here: https://mibk.bigcartel.com/products

And thank you for your support.

Today is also a new episode of The Obelisk Show on Gimme Radio. The first new one in more than a month. You hopefully already saw the playlist. It’s on at 1PM Eastern.

Listen on the Gimme app or here: http://gimmeradio.com

And thanks again for your support.

While I’m indulging shameless plugs, I’ll be at Ode to Doom tomorrow in Manhattan, presented in part by this site. Horehound, Thunderbird Divine, Mantismass and Iron Rider are playing.

Event page is here: https://www.facebook.com/events/298666037420426/

And hey, thanks for your support.

Before you say it, I know Slayer and Primus are at MSG tomorrow night. In the hallowed halls of the Knicks and Billy Joel. Cough. I won’t ever tell you not to go see Primus, and I get that it’s Slayer’s alleged farewell tour, but yeah. Seems like as regards Slayer, I’ve got my memories of seeing them destroy, and I’d rather make new memories than relive old ones. So I’ll be at Arlene’s Grocery. I’m not telling you you’re wrong for being nostalgic — Primus are one of my all-time favorite bands; I’ve loved Primus since I was single digits, and I’ve loved seeing them every chance I’ve had — or trying to get while the getting’s good, but yeah. I’ve never seen Thunderbird Divine, or Mantismass, or Iron Rider, and Horehound rule, so I’ll take the lower key option and be grateful for it.

This weekend is also my sister’s birthday, so we’re doing family dinner tonight because I’ll be out tomorrow — not at all the first time I’ve rescheduled such things for a show; these people are very indulgent, these relatives of mine — and then I guess other whatnot over the course of the next couple days that I’m sure will be good.

That’s fine. It was a shit week. They all are. I spent most of it overthinking food, yelling at a two-year-old, feeling bad for yelling at a two-year-old, getting hit, kicked and bit at various points, being wrong about fucking everything, going back and forth with homeowners insurance, waiting for the other shoe to drop that will make us have to move again and daydreaming about being dead. In any case, a little time out of my head is welcome.

Thanks to everyone who has added a list so far to the end-of-decade poll. If that’s not you, I humbly point you to the form to do so here. Include whatever you want. Have fun with it.

I think that’s the last of the plugs.

Well, unless you count all the stuff for next week. Monday is that Ode review, plus a stream of the new Midas EP. Tuesday a Canyon of the Skull album stream. Wednesday an Onhou album stream — dark, dark, dark that one is. Thursday a track premiere and review of the new Solace record that I should probably just start writing now to get it done in time. Next Friday a Czar track premiere. Whole week, nailed down. Most of the week after as well. Busy times for being the “off season” in rock and roll, but it usually is, so fair enough.

Gonna try to get my head into the day to come (still early as I write) and probably fail miserably, as I so, so often do.

Great and safe weekend. Forum, radio and NEW merch.

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The Obelisk Show on Gimme Radio Playlist: Episode 24

Posted in Radio on November 8th, 2019 by JJ Koczan

the obelisk show banner

It’s been forever since there was an episode of The Obelisk Show on Gimme Radio, but I’m glad to say that there was never any chance of it not continuing eventually. At least not one that I was told about — ha. Gimme had a bunch of specials booked, and well, if it’s me or the dude from Enslaved, or really anybody, I can’t really put up much of a fight that I should be given preference. I’m the dude who plays heavy rock on a metal station, and I’ve got a pretty good timeslot to do it. Yeah, I’m gonna get picked off in favor of special episodes. No worries. I kind of needed a break anyway.

So maybe think of this as the start of Season 2 of The Obelisk Show. I know that all the The Next Generation-era Star Trek shows operated with 24-episode seasons, but I don’t think anyone will begrudge me one fewer. Enterprise might’ve had a 23-episode season somewhere in there. I’d have to check. Either way, Season 2 picks up pretty much where Season 1 left off: a butt-load of new music and me nerding out about Colour Haze.

I talk a bit about the Høstsabbat fest in Norway that I went to last month, give the Brume record a plug and am a total geek for Al Cisneros’ bass tone on that new Om live release, so yes, pretty much the show is getting caught up with what’s been going on around here while it was off the air. A bit of shaking off the rust, but the playlist rules and I tried not to screw it all up too badly on mic. I haven’t heard the finished product yet, so we’ll see if it was a success. In any case, I hope you dig it.

The Obelisk Show on Gimme Radio airs at 1PM Eastern today.

Listen at: http://www.gimmeradio.com

Here’s the full playlist:

The Obelisk Show – 11.08.19

 

All Them Witches 1×1 1×1* 0:05:51
Ufomammut Satan XX* 0:03:12
Colour Haze Tempel Tempel 0:08:30
BREAK
Brume Scurry Rabbits* 0:10:58
Kadavar Children of the Night For the Dead Travel Fast* 0:05:59
The Lone Madman Häxan Let the Night Come* 0:07:29
Ogre King of the Wood Thrice as Strong* 0:05:41
Orodruin Letter of Life’s Regret Ruins of Eternity* 0:05:14
BREAK
Monolord Larvae No Comfort* 0:09:38
Bask Rid of You III* 0:04:40
Grin Helix Translucent Blades* 0:05:23
Om State of Non-Return BBC Radio 1* 0:08:22
Deaf Radio Dance Like a Reptile Modern Panic* 0:04:19
Devil to Pay 37 Trillion Forever, Never or Whenever* 0:03:10
BREAK
Clouds Taste Satanic Second Sight Second Sight 0:20:21
Total runtime: 1:48:47

The Obelisk Show on Gimme Radio airs every other Friday at 1PM Eastern, with replays every Sunday at 7PM Eastern. Next show is Nov. 22. Thanks for listening if you do.

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Blutbad to Release Alcohodyssey Jan. 31; New Video Posted

Posted in Whathaveyou on November 8th, 2019 by JJ Koczan

blutbad

You like stoner rock chicanery? You like dudes in space? You like charm? Well, here you go. Blutbad waste no time in tapping into stoner rock’s timeless, silly and generally-intoxicated appeal, and their beery Alcohodyssey — which, man, I’m having trouble with; I keep leaving out the ‘ho,’ so it’s just ‘alcodyssey’; these are the things that plague me — is set to release at the end of January through Argonauta Records. In honor of launching preorders, the video for “Alcohodyssey Pt. 1,” which is subtitled as “Alcohodyssey Pt. 1 (The Space Adventures of the Hopshunters)” — because of course it is — the has also come out and, well, my sincere appreciation and maybe sympathy for the dude they decided should dress like a robot for it. Everyone else got to show up mostly casual, or maybe with a little cyborg implant here and there, but my man went all out. Someone had to. Had to be done.

The art is comic style, again, because of course it is, and can be found below, with album info, preorder link, and the aforementioned video. All came down the PR wire and magically turned blue:

blutbad Alcohodyssey

BLUTBAD Signs With Argonauta Records + Unleashes Album Details & Music Video!

They are fast, loud and rude, and they will be coming for you: Italy’s heavy groove and stoner rockers, BLUTBAD, have inked a worldwide deal with the ever-growing Argonauta Records, who will release the band’s first, full length studio album, titled Alcohodyssey, on January 31st 2020!

Following their 2017, self-released Extrarock EP, BLUTBAD continue to burst into the scene with an authentic sound that mixes Rock’n’Roll’s fast guitars, heavy Stoner riffs, Punk’s Tupa Tupa and the attitude of Motörhead-alike 90s metal and heavy rock prototypes. While the band successfully manages to create a sound that is different from the usual, they are especially a lot of fun to listen to and experience live – and will be highly recommended for fans of Red Fang, Municipal Waste and alikes! Today BLUTBAD have not only announced the signing with well-respected underground label Argonauta Records, but have also unleashed the first details of their upcoming debut album plus a first and fun video to the single Alcohodyssey Part.1. Get on a space trip with BLUTBAD and watch the video HERE!

Album Tracklist:
01 Lost in Space (feat. Kristallo)
02 Alcohodyssey part.1 (The space adventures of the hopshunters)
03 Die Alone
04 Sunday of Living Dead
05 Space Trumps
06 I want to believe
07 Alcohodyssey part.2 (The great escape from Bikini planet)
08 Steam Road
09 Interstellaris 0042
10 Flash Goldon (feat. Niko from Own Paw Thee Die)
11 Arcade Mood (feat. Kristallo)

The Alcohodyssey will be taking place on January 31st 2020, on CD and in Digital formats with Argonauta Records – the pre-sale has just started at THIS LOCATION!

BLUTBAD is:
Tomi Versetti – Vocals
Manu Il Bello – Guitar/Vocals
Michael Deon – Bass
Davide Tonin – Drums

www.theblutbaden.wixsite.com/website
www.facebook.com/blutbadnoise
www.instagram.com/blutbadnoise
www.argonautarecords.com
www.facebook.com/argonautarecords

Blutbad, “Alcohodyssey Pt. 1” official video

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