Alunah Ink Deal with Big Bad Mother’s House Booking
Posted in Whathaveyou on January 16th, 2012 by H.P. Taskmaster
Feels like three days ago after that Monster Magnet review, but you might recall earlier this afternoon when I put up that Dopefight video I rattled off a list of badass British bands. Well, I left off Alunah from that list, not because they don’t rule, but because I wanted to take a second to single out the four-piece and say congratulations on signing a deal with the Big Bad Mother’s House booking agency. Hopefully this means Alunah will hit the road prior to the release (and after too, I suppose) of their next album, but until then, I’m looking forward to their set at the Desertfest in London.
Here’s the news, swiped from the band’s website:
We’re very pleased to announce that this week we have signed with Bristol-based Big Bad Mother’s House music talent booking agency.
The agency is home to Riotgod (Monster Magnet members Bob Pantella and Jim Baglino), the Argentinian sludge rockers Banda de la Muerte, Venezualan heavy lords Cultura Tres and many more.
Alunah will be playing the International Powerhouse of Doom Festival on April 5 at Scruffy Murphys, Birmingham, with both Banda de la Muerte and Cultura Tres. Other bands on the bill include Stone Axe, Stubb and Trippy Wicked and the Cosmic Children of the Knight.
Both Alunah and Cultura Tres will also be hitting DesertFest in April.
To contact Big Bad Mother’s House regarding an Alunah booking please email: info@bigbadmothershouse.com, call (UK) +44 1179390432 or +44 07505775703 or visit: http://www.bigbadmothershouse.com.

Last heard from on their 2009 Catacomb Records split with avant doomers Queen Elephantine, the UK stoner doom outfit Alunah now follow with their first full-length, Call of Avernus. Also released through Catacomb, Call of Avernus follows a 2007 demo and the 2008 Fall to Earth EP and features almost exclusively new material from the double-guitar four-piece, centered much around the riffs and vocals of frontwoman Sophie, who finds herself in the forward position across the nine tracks and respectable 49-minute runtime. Alunah, who formed in 2006 and added the ‘h’ to the end of their name sometime thereafter, straddle the line between the heavier end of stoner rock and more doomed atmospheres. Sophie and fellow guitarist Dave create a wall of impenetrable fuzz like Fu Manchu did in their unabashed heyday, but the building those walls construct is different and far less laden with California sunshine and a friendly surf mentality.
In and out in a little over 12 minutes, this split 7” between British rockers Alunah (whose ending ‘h’ seems a recent addition) and multi-continental experimental droners Queen Elephantine is a quick trip, but a satisfying one nonetheless. Limited to 250 copies and issued through Catacomb Records, each side of the vinyl features one song just past six minutes long and though the two bands work in different atmospheres, there’s a far-off echo that permeates both pieces and builds cohesiveness between the styles.
With “Song of the Sun,” Alunah offer comparatively straightforward riff-based heavy rock, set apart from the pack by the lead vocals of Sophie (no last name given), for whom Acid King comparisons can’t possibly be anything new. Nonetheless, the band spend their time wisely, fading out and back in at the end for an additional few seconds of riffing and lead lines. The four piece aren’t really breaking any new ground for stoner rock, but neither are they offensive. They’re recording a new full-length this year, and I’d be interested to check it out, so if the idea of “Song of the Sun” was to get people interested in the band by giving them a small taste, then it worked.
version of this song out there somewhere. As it stands on the split, though, the band, led by Indy Shome continue their progressive journey through deconstructed psychedelia. In contrast to Alunah, Queen Elephantine care little for structure and ride their song out to wherever it takes them. In the context of an LP, this can be challenging, but here they keep it relatively on track, which makes for a fascinating balance.


