Mundee Dozer
Posted in Bootleg Theater on February 21st, 2011 by H.P. TaskmasterI never closed out last week. I’ll admit, at first it was just because I hit the wine Friday night, but then I thought I’d use that as an excuse to try something different. Certainly I did nothing on Saturday except sit on my ass and not work on that thesis I’m supposed to be writing, but even so, I decided we’d open this week with a Mundee video instead of close the last with a Frydee one. Doesn’t even make a difference in terms of where the post appears, but what the hell. I take my changes where I can get ‘em.
Good stuff to come over the next five days, in any case. I went and saw Monster Magnet last night at Starland Ballroom and I’ll have a review and photos up before today’s out, and before this week is over (and also before Friday at 5PM, which is a terrible time to post anything) I’ll have a new interview posted with acclaimed visual artist Brian Mercer and Six Dumb Questions with NJ rockers Boss 302, whose album was reviewed last week. Reviews on tap from Bulletwolf (that’s today), Evoken, Curse the Son and Graveyard, and the usual bunch of On the Radars, Buried Treasures and Whathaveyous.
It’s a snow day here in the valley, but I still have to get to class later, and I have some homework to do before that. I’ll get there. In any case, I hope you had a great weekend, hope you have a great week going forward, and hope you enjoy the Dozer above. “Man of Fire” from their excellent Through the Eyes of Heathens album. I thought a little something energetic would be good to start the week off right. Like eggs in the morning.
Mmm… eggs. Looks like I just added another line to the to-do list.

We were all saddened last year to read that Swedish heavy rock legends Dozer were calling it even
We’ll take them one at a time. For Dozer, who have since relinquished their crown as the kings of Swedish stoner metal to go on hiatus, Beyond Colossal was a further step away from their riff rock beginnings. Their fifth album overall — second for Small Stone — it was a heavy and aggressive exploration of sound that resulted in a collection of memorable tracks including “Empire’s End” and “Two Coins for Eyes,” both of which featured guest vocals from Clutch‘s Neil Fallon. But it wasn’t just his appearance that made Beyond Colossal special. The energy in “The Flood,” the dynamism of “The Ventriloquist” and even the bravery of quiet closer “Bound for Greatness” all shine both within the Dozer catalog and without.
offering via Elektrohasch Schallplatten. While what I recalled of their first album was that it was fuzzy, stoned and riffy with psychedelic undertones, this one came and blew it away in almost every sense of the word. For the hair grown on the guitar tone in “Welcome to the Void” alone — the riff to which I can’t get out of my head just from thinking about it as I type — II has been a mainstay in my CD player throughout 2009. The transposed down-home blues of “The Watcher” and the darker, more sinisterly rhythmic “Witching Hour” are constant fixtures in the mental jukebox, and those are just the tracks I can think of off the top of my head. Once the record actually goes on, it’s simply a matter of being taken someplace else. Leicester, perhaps, where the band is from. Who knows.
year would be different. You need an escape.
Dozer are one of the best stoner rock bands in the world. And I’m not just saying that. It’s science. Go back and look at albums like 2000′s In the Tail of a Comet and 2001′s Madre de Dios and you’ll still only get a cursory understanding of the greatness of these Swedes and the impact they’ve had on their country’s ever-stronger scene. Their songwriting ability, riffs and pure rock fury hold their own against any name you want to put to them, including American acts like Nebula, Fu Manchu, Clutch or even Kyuss.
only drummed for Dozer, but in Greenleaf with Dozer guitarist Tommi Holoppa up to 2007′s Agents of Ahriman, and engineers here — and guitarist/vocalist Fredrik Nordin sounds as furious and confident as ever, his voice reaching for and hitting notes that would have been a dream even on 2002′s Call it Conspiracy
First off, you’ll notice it doesn’t say “The 5 Man’s Ruin Albums No Home Should Be Without” and that’s because although these have been meticulously judged by a panel of no less than 17 home-bound experts (all of whom were me), this list could just as easily have included records from the likes of Nebula, Melvins, Fu Manchu, Suplecs, Desert Sessions, Beaver, earthlings?, Che, The Hellacopters, Sons of Otis, Operator Generator, Unida, High on Fire and more, or even just alternates from the bands listed. Let’s face it, until the label folded in 2001, artist 


