Yawning Sons are Worthy of Ceremony
Posted in Reviews on June 30th, 2009 by H.P. Taskmaster
You can make whatever sound comparisons or analogies you want, to my ears, the debut from Yawning Sons is principally two things. First: mesmerizing. Second: warm. The band is end result of a fortunate ocean-crossing collaboration between Californian desert rock legend Gary Arce of Yawning Man and the UK?s Sons of Alpha Centauri. Presumably they went with Yawning Sons because ?Arce & Sons? sounded too much like they were electricians. In any case, their debut, Ceremony to the Sunset, released by Australia?s Lexicon Devil, is seven cuts of mostly instrumental experimental post-rock psychedelic hypnosis, with guest vocal spots from Fatso Jetson?s Mario Lalli, Wendy Rae Fowler (Mark Lanegan Band) and Scott Reeder spread throughout to act as trail markers.
The story goes that Arce and the four-piece Sons of Alpha Centauri had never met before he flew to the UK to produce a record for them, but when he arrived they jammed and over the course of a week, wrote and recorded Ceremony to the Sunset instead. Not to say the narrative lacks plausibility (Arce himself recounts it in the liner notes), but if that?s how it went down, the chemistry between Arce and Sons of Alpha Centauri members Nick Hannon (bass), Marlon King (guitar), Stevie B. (drums) and Blake (textures) must have been immediate. Otherwise the project would?ve fallen flat entirely — or, more likely, it wouldn?t have happened in the first place — and the intricate melodies that permeate ?Tomahawk Watercress? and closer ?Japanese Garden? would have nowhere near as much power as they do. Ceremony to the Sunset is a patient album, but it feels fast, spontaneous and exciting, striking a rare balance.
Tee Pee Records head trip rockers The Assemble Head in Sunburst Sound have teamed up with labelmates Weird Owl for a quick run of West Coast dates. Unfortunately, they haven’t named the tour AssOwl ’09, but even good looking Californians can’t get everything in life. I mean, you already got hoverboards. What more do you people need?
Likely I’d have bought it anyway, but what really sold me on Acid Mantra, the latest self-release from prolific deep-space psychedelic traveler Craig Williamson under the one-man-band banner of Lamp of the Universe, was when I read that it had more in common with older albums like The Cosmic Union and Echo in Light than more recent work Earth, Spirit and Sky and From the Mystic Rays of Astrological Light. Not that I didn’t enjoy those records for what they were — largely instrumental slabs of tripped-out psych from the wilds of New Zealand — but since my favorite songs from Williamson (also the bassist for the underrated Datura) are “Born in the Rays of the Third Eye” and “Lotus of a Thousand Pedals,” the thought of having more material akin to that was too much to resist purchasing.
Lucy Williamson in Jakarta filed this report on the
edia and touring across the world, but even that’s only going to get you so far. What the Free Tibet movement really needs is four Deutsche psychedelic (mostly) instrumental hippies championing their cause.


