Buried Treasure and Redscroll in Autumn, Pt. 2

Posted in Buried Treasure on October 28th, 2011 by H.P. Taskmaster

Moments ago, as I was trying to think of a headline for this post, I recalled that I’d visited Redscroll Records in Wallingford, Connecticut, last year around this time. Creature of habit that I am, the date on that post is Oct. 25, 2010. Here we are, a year and three days later and I’m chronicling pretty much the same trip. Surprisingly, there was no band overlap. Small favors, I guess.

It had been or at least felt like a while since I did a good round of caution-and-common-sense-to-the-wind record shopping, which I find is good for the soul, and especially since my prior visit to the store had come up empty, I was stoked to make out pretty good this time. You can probably see the stack in the picture above, but in case you don’t feel like clicking to enlarge it, here’s the rundown:

Aldebaran, Buried Beneath Aeons
Cable, Cable
Desert Sessions, Vol. I/Vol. II
Desert Sessions, Vol. III/Vol. IV
Dove, Dove
Grayceon, All We Destroy
Orange Goblin, Time Travelling Blues
Patton Oswalt, Finest Hour
Reverend Bizarre, Death is Glory… Now!
Sunride, Magnetizer
VA, Judge Not…
Wooden Shjips, Dos
Wolves in the Throne Room, Celestial Lineage

Of those, I already own the Desert Sessions, Dove and Orange Goblin records — but I still have my reasons for buying each. The Orange Goblin was used, and as I looked at it on the shelf, I discovered it was the Japanese version of the record, with their cover of Trouble‘s “Black Shapes of Doom” for a bonus track. That cover originally appeared on the Bastards Will Pay tribute, and since I’ve never had any luck tracking down a copy of that (it’s in my canon of daily eBay searches), I figured all the more excuse to get the import on the cheap.

The Dove, on the other hand, is probably the least reasonable of the repeat offenses. Where the Desert Sessions stuff was priced new, it was also like $12 a pop, and screw it, if I’m already spending money, I’ll hit that up. I looked so hard for those CDs the first time around, I don’t mind having doubles. For the Dove disc, though, there really is no argument. It was there, it was used, and I bought it. It’s out of print, and I might use it in a trade or something at some point — hey, if anyone wants to switch it for that Trouble tribute, drop a line — but beyond that, it was an impulse and an excuse to revisit the album from the Floor offshoot, which I hadn’t heard in years.

Grayceon was one of two discs I knew I wanted to pick up going into the trip — the other was Rwake, which Redscroll was out of — and since I’ve had those songs stuck in my head for the last month, I was glad to have the full version of the album to sate that. That wasn’t used, but it is now. The Wolves in the Throne Room is also their latest record, which I had every intent of reviewing but never got around to, but only had a disc and top liner for. There’s always one or two tracks on their albums that justifies a purchase, and now I can take my time finding out which ones those are on Celestial Lineage. I don’t feel as bad for not reviewing it if I go out and buy the record.

I bought Sunride‘s Magnetizer (1998, Boundless Records) because of a discussion on the forum of the worst stoner rock albums ever. Not that it’s mentioned in there, but Sea of Green is, and I got the names mixed up in my head. I had wanted to buy it just to hear what the worst stoner rock ever sounded like. As Magnetizer isn’t even close to the worst stoner rock I’ve ever heard, I can’t help but feel like I inadvertently won out.

The Wooden Shjips I got because I need to review their new album, West, for work and wanted something to compare it to. It was used, as was the Underdogma Records compilation, Judge Not…, which proved yet again that I don’t like comps until they’re out of print and desirable for their obscurity. I don’t remember the last time I heard Ironboss (guns don’t kill people, they do), so I’ll take it, and with Gammera, Pale Divine, early The Quill and Puny Human on there, all the better. Two discs of heavy rock I didn’t own prior. Six bucks.

Buying Cable in Connecticut had some oddball novelty to me, and the 1997 comp of their early tracks was used and is raw as hell, so that was a yes, and I didn’t even know Patton Oswalt had a new record, but there it was. Since on his last special, he was talking all about his wife being pregnant, I figured this would be his “I have a kid now” material (every comic has it), and sure enough, it is. Still good. The Reverend Bizarre and Aldebaran discs were impulse buys — I grabbed the Aldebaran with all the forethought of snatching a pack of Reese’s on the way out of the grocery store — but reckless abandon is no fun if it’s not actually reckless, so there you go.

The Patient Mrs. — bless her heart — had come in a few moments prior to collect me so we could make our way back south to Jersey, but as we were leaving, the dudes behind the counter informed that they’ll be doing a special Black Friday sale post-Thanksgiving, opening at 6AM with markdowns on new and used CDs and vinyl — which, at this point, takes up a good deal of the room they have. Turns out I’ll be up that way for the holiday, so if I’m not all drowned out in vino and tryptophan, I may just make that happen for myself. Seems like it could be fun, anyway.

More info on that and the store is here, if you’re interested. I’ll spare you the lecture on preserving independent record-buying culture, because I think you probably know it by now, but anyway, they do good work.

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Earth and Wolves in the Throne Room Team Join Forces for Tour

Posted in Whathaveyou on March 11th, 2010 by H.P. Taskmaster

As if there was ever a bad time to be on the West Coast of the US, when Earth and Wolves in the Throne Room roll into town, life must seem especially sweet. Trapped in the perpetual gray of a Jersey Spring, I wouldn’t know, but I can only imagine it involves the stripping away of clothes and the giving away of vast sums of cash. And hoverboards, dammit.

Our dear friend the PR wire confirms the varying levels and interpretations of paradise:

Earth have joined up with label mates Wolves in the Throne Room for a week-and-a-half long West Coast tour for this April. The string of dates will also include opening support from cellist Lori Goldston, who will also be part of Earth‘s live lineup for the tour.

Earth have been finalizing material for their next full-length to be released on Southern Lord Recordings by early 2011, and will be showcasing some of these new songs on the tour. The Earth lineup on these dates shall consist of:

Dylan Carlson – Guitar
Adrienne Davies – Drums
Karl Blau – Bass
Lori Goldston – Cello

Wolves in the Throne Room have just completed their first Australian tour, alongside French doom unit Monarch!, and will appear alongside Shrinebuilder at a special one-off East Coast appearance in New York City tonight.

Earth / Wolves in the Throne Room / Lori Goldston April 2010 Tour:

4/14/2010 The Oak Street SpeakeasyEugene, OR
4/15/2010 NoctrumEureka, CA
4/16/2010 Slim’sSan Francisco, CA
4/17/2010 Brookdale LodgeSanta Cruz, CA
4/19/2010 Ché CaféSan Diego, CA
4/20/2010 The EchoPlexLos Angeles, CA
4/22/2010 RotturePortland, OR
4/23/2010 Neumo’sSeattle, WA
4/24/2010 Capital TheatreOlympia, WA with special guests Mount Eerie and Ô Paon

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Just in Case There Hasn’t Been Enough Wolves in the Throne Room on This Site Lately…

Posted in Whathaveyou on March 10th, 2009 by H.P. Taskmaster

This photo is both grainy and malevolent.…the agricultural black metal wizards from Olympia have put a digipak CD version of their previously vinyl-only EP Malevolent Grain up for sale on their website. The copy I ordered came in the mail yesterday and it rules, so buy it while you can or suffer the eBay consequences later on. Female vocals all over the place, very ambient, but still heavy and natural-sounding. You can’t really miss if you’re a fan or a nerdy collector of things soon to be out of print.

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Here’s the Only Wolves in the Throne Room Interview You’ll See This Album Cycle Without a Farming Question

Posted in Features on March 5th, 2009 by H.P. Taskmaster

They like trees and not showing their faces.In terms of heavy ambience, there are few in the realm of black metal who do it as well as Olympia, WA‘s Wolves in the Throne Room. Helmed by brothers Nathan (guitar/vocals) and Aaron Weaver (drums), the band has been igniting cross-genre acclaim since debuting with Diadem of 12 Stars (Vendlus) in 2006. The response to that record was so strong that it led to Southern Lord signing them and releasing follow-up Two Hunters. They explored their trance-inducing side on this year’s Malevolent Grain EP and are already in the process of issuing the next full-length, Black Cascade. Known almost as much for their strong stance on environmental issues as for their music, the band makes a strong argument in favor of paying attention to the latter with this latest work.

I’ll spare the wax poetry since the review of Black Cascade went up just a couple days ago. Certainly there’s enough of it there. In the meantime, after the jump you can read an extended interview with Aaron Weaver about the troubles of touring and playing corporately-sponsored functions such as the recent Scion Fest in Atlanta, keeping the balance between clarity and a natural sound, and tightening the Wolves in the Throne Room songwriting process so the songs can be better presented live. Dig it.

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Wolves in the Throne Room Give Black Metal a Good Name

Posted in Reviews on March 3rd, 2009 by H.P. Taskmaster

Is that a lemur? Not enough lemurs on metal covers these days.As is bound to happen with any band whose personality is so manifest in their output, Olympia, WA‘s Wolves in the Throne Room have found themselves in the position where their music has almost taken a back seat to their character. Reports of tours scheduled around the harvest, living on a farm and playing shows in the dense Pacific Northwestern forests have abounded since their Diadem of 12 Stars (Vendlus) debut in 2006, but they took on a life all their own when Southern Lord put out Two Hunters to such widespread acclaim in 2007.

For their part in it, the four-piece has clarified their environmental extremist position on their blog and I don’t feel the need to repeat it here. What matters more when than the band’s opinion on human contributions to global warming when I listen to new album Black Cascade is the music. Quite a novelty, I know.

Like Two Hunters — since which the band has released Live at Roadburn 2008 and the Malevolent Grain EP, both vinyl-only — Black Cascade boasts four extended tracks that when put together reach upwards of 50 minutes. Where this record separates itself from the last, however, is in the songwriting. Not that they’re suddenly churning out three minute pop songs or anything like that, but the movements of opener “Wanderer above the Sea of Fog” flesh themselves out in a manner befitting a band who have worked hard to establish themselves as a unique entity. Wolves in the Throne Room are maturing and their sound is becoming very much their own.

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